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Breaking Into Hollywood - How Do I Get a Job as a Story Analyst / Script Reader?
Author: DMA/Donna Michelle Anderson  | Posted: 19-03-2007 | Comments: 0 | Views: 59 | Rating: (53)  (?) 
 One of my first jobs in Los Angeles was as a story analyst at a major production company. If you'd love to spend long nights and weekends reading and analyzing the future hits (and not-so-much-a-hits) of Hollywood, here's how you go after this fascinating, funny and frankly high burn-out entry-level gig.
THE JOB
As a story analyst, it is your job to read and summarize scripts then analyze them for structural soundness, story, dialogue, character development, creativity and more. That is called "generating coverage," and you will do that for your creative executives (CEs) on fairly tight deadlines.
THE PROCESS
When you apply for a job as a reader, you will be handed a sample script and asked to analyze it, using the company’s coverage template, in a set period of time, FOR FREE. The company's development team will review your work to see if it meets their needs and may then hire you. Once you are hired, you usually work as a freelancer, being sent or picking up your “weekend pile” of scripts when they contact you. There often are scripts to cover during the week, as well. You might read only a handful of scripts a week; at big companies, you might have to analyze twenty or more a week.
THE PAY
Oh, pay is sooooooo looooooow for readers! You almost always are paid on a per-script basis, anywhere from $20 - $55 a script, usually. Given the hours you invest, it’s not much money, but it’s great experience for both writers and aspiring development types.
HONING YOUR SKILLS
Before you go after a reading job, be sure you have a strong grasp of story structure! Take multiple classes, read multiple books, know industry terminology and expectations. That’s not just to help yourself get a job; it’s also to be fair to the writers whose scripts you are about to be responsible for vetting. As a story analyst, you are a gatekeeper for your production company, the first point of entry for screenwriters trying to get their work produced. That is a big responsibility . It is also great trench training for screenwriters who are interested in learning the buyer's point of view of this business, as I discuss in detail in my book and seminars.
GETTING THE GIG
Next it’s time for the job hunt. Craig’s List often has postings in the “Gigs” section of the Los Angeles region. Just do a general search for “reader” and for “story analyst.” Also, let your friends know you are looking for a story analyst gig, and put a cool gift into the mix for people who get you into the consideration pool!
Of course, reading jobs are notorious “insider” gigs, handed off from one analyst to the next, so the best way to get one of these jobs is through a contact. If you know someone who does coverage right now, ask if they can submit you for consideration as a reader for their company. If they get you in to do sample coverage, terrific – be sure to get them a gift, whether you’re hired or not.
BTW, for gifts, I love to do coffeehouse gift cards. I’ve caffeinated half of Hollywood in the past dozen years.
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Article Source: http://www.articlesbase.com/writing-articles/breaking-into-hollywood-how-do-i-get-a-job-as-a-story-analyst-script-reader-118565.html
About the Author:DMA is a former film story analyst who is now the executive producer of Tidal Wave TV, a new media and reality TV production company in Los Angeles, and the director of Hollywood's one-day, comprehsenive filmmaking seminar,Movie in a Box. Learn how to sell a screenplay from DMA's industry guide "The 1-3-5 Story Structure Made Simple System: The Nine Essential Elements of a Sellable Screenplay."
For DMA's national speaking schedule and more insider resources for breaking into Hollywood, please visit Planet DMA. It is our goal to mentor you through your career in the entertainment industry!
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